The
uniformly excellent cast brought an agonizingly grim and ghastly realism
to this group of patients in the Crighton Players’ “One Flew Over the
Cuckoo’s Next” which recently closed at the Owen Theatre.
ap
Posted: Friday, July 30, 2010 12:00 am | Updated:
10:25 pm, Sat Nov 20, 2010.
By David Dow Bentley IIIThe People’s
Critic |
0 comments
I believe it has been about 10 years since I saw the Alley Theatre
production of Dale Wasserman’s disturbingly brilliant play, “One Flew Over
the Cuckoo’s Nest.” Memory fades, of course, but I cannot imagine that the
Alley version was any more skillfully produced than that just presented by
the Crighton Players at Conroe’s Owen Theatre. With a flawless cast, and
the equally flawless direction of Don Hampton, this “Cuckoo” was a real
winner. My one regret is that a recent trip out of town prevented my
seeing it in time to advise readers not to miss it before last weekend’s
close.
The plot, based on the novel by Ken Kesey, is a troubling one as it takes
place in a psychiatric hospital full of confused souls who have apparently
lost their way. But a new patient, Randle P. McMurphy (a stunning
performance from Bill Geffen), is a kind of hustler who suddenly arrives
to energize these sad mental patients and mischievously turn their ward on
its head. He very quickly locks horns with the cruel and heartless head
nurse, Miss Ratched (a deliciously evil characterization from Brandi
Baldwin). The sometimes comic, sometimes tragic events that follow played
out on the appropriately sterile and very authentic set design from Master
Carpenter Wes Bush and Lead Carpenter Jason Wright. Dramatic lighting
(Roger Ormiston/Sherry Sellers) and special effects (David Fitzgibbons)
punctuate many scenes. Beverly Townsend’s costumes add to the realism of
this sad world, and musical interludes offer ironic touches such as Roy
Orbison’s, “Only the Lonely.”
The uniformly excellent cast brings an agonizingly grim and ghastly
realism to this group of patients. There are wonderful performances from
Trevor Hall as the sweet, stuttering, Billy Bobbit in search of his
manhood, Rick Sellers as the endlessly twitching, fidgeting and giggling,
Scanlon, Craig Campobella as Martini, Dale Trimble as Buckley and Mike
Ragan as Cheswick. There was heroic work from both W. Ryan Willingham (who
brilliantly took over the role of Dale Harding for a cast member called
out of town), and from Micah Taylor in the pivotal role of Chief Bromden,
the gigantic, troubled, and most-often silent Indian who links various
scenes together when stage lights dim and he stands in the spotlight
delivering numerous touching soliloquies addressed to his late father, as
he recalls the waterfalls, melting snow, and jumping salmon of happier
days on their reservation before a government takeover.
The hospital staff was also well cast with Steve Murphree, Dan Tippen, and
Luke Cowan as aides, Megan Nix as nervous Nurse Flinn, and John Ogden as
the compassionate Dr. Spivey who tries to resist Nurse Rached’s cruelty
toward the patients. Taking the edge off all this sadness are the lively
performances of Lindsay Morris and Jennifer Marshall as the good-time
girls McMurphy has smuggled into the ward for a late night party.
Two of
“chronic” patients Joe Kobb and Jim Murph of the Crighton Players’ “One
Flew Over the Cuckoo’s Next”.
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One other touch added to the very realistic atmosphere established in this
production. Four of the patients are so severely mentally disabled they
cannot function more than to simply sleep, slump in their chairs or stare
blankly into space. Skillfully acting the parts of these “chronic”
patients were Joe Kolb, Jim Walker, Butch Walker and Jim Murph. May
I say that doing nothing has never been done so well!
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